varies. As technical director, he responsible for everything we see on stage other than dancers and costumes. He divides his time between the McCaw Hall stage, PNB administrative offices in the Phelps Center next door and the PNB scene shop in Wallingford, a well worn warehouse filled with sets in progress or in storage (plenty of set pieces tucked away), theater detritus, a floating patina of vintage cigarette smoke, and an office door that reads Rico, Chief Illuminator. world of a theater techie is one of jeans and black T shirts, of ladders and lighting instruments (hundreds of them, each hanging at a precisely set angle and fitted with a colored gel), of the camaraderie of people who don get to take Womens Air Max 90 Premium Black a bow but know that the production couldn go on without them. And though Chiarelli jokes about being demanding (his nickname, Rico, came from the villain in the movie Caesar, I can be sort of bossy sometimes he clearly has the friendship and respect of his crew, with whom he cracks jokes through his headset. Chiarelli doesn design every ballet at PNB; many come with lighting already proscribed, in which case he make only small adjustments. But every season brings an opportunity for new collaboration: working with modern dance legend Twyla Tharp, for example, to light her two ballets Ball and 111 for the 2009 season opening, or with designer Roberta Guidi de Bagno on the lighting for last season newly designed This season, he design the lighting for PNB debut production of the romantic classic coming in June.
It a much.
Chiarelli believes in highlighting dancers faces and upper bodies not all designers do, he says but that brings its own challenges. glowers and soakers, he says: people who have a natural translucency, Nike Air Max Womens 2016 Black
hiarelli day to day work at PNB Air Max Women Black And White
will the skirts and distract attention from the body center the light has to come and steeper. For shorter tutus, you can light the legs a little more. all logic, he says.
and people who matter what you do, soak up the light without reflecting it back. (Diplomatically, he declined to identify any current PNB members as one or the other. ) Makeup can help a soaker, and he not afraid to step in and suggest modifications to a dancer makeup. In the past, he notes, ballerinas would use heavy makeup to emphasize eye sockets and shadows under the chin, which made sense under overhead lighting. Today, to Miss Rosenthal, we have light that comes from the side and the back.
you have to do with the choreographer is establish trust, says Chiarelli, who says much of his job is psychology; figuring out what people are really saying to him about how they think a dance should look. For Ball, he listened to Tharp explain the mood of the dance and then drove around Seattle, looking for places that looked like what she was describing, ending up in parts of Ballard. spends much time creating lighting that solves problems. How do you, for example, adjust the lighting for a ballet in which the dancers, as in Balanchine are wearing long tutus? You don use lowlights, Chiarelli says, because those Nike Air Max White Womens 2016
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