too far behind them, so perhaps we're about to find out what it means to be both "mature" and "contemporary". Age is not discussed at the RGI, but it would be safe to say that a number of those showing great work here are not under 50. They are artists at the top of their game, many of whom have combined a lifetime of art making with a lifetime of teaching. They trained when skill was at least as important as concept, and they learned to draw. The younger artists who show with them tend to be those who value skill, craftsmanship and drawing too, an approach which is branded "traditional".
not a natural art gallery, but the RGI team have done their best with what they have, packing in close to 400 paintings and sculptures, with still more at a "Salon des Refuss" at their own Kelly Gallery. It's a trifle daunting on the eye, especially with the smaller works, which are hung six deep, but the flipside of that is a dazzling richness. There is plenty that shines out. One must arm oneself with a catalogue and plenty of time. In the contemporary art world, the emphasis is always on "young" and "new". Even the Turner Prize is for an artist under 50, and no one seems to have given much thought to what happens after that.
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tragedy of fly in, fly out workHeartache endures for lost little girl Cheryl Grimmer: photos, videoLocal Junior Hawks NestDragon DenFishingNRLNational AFLSoccerBasketballCricket HQJunior NewsTournamentsTopTippaCommonwealth Games 2014NRL TournamentAFL TournamentScotland's exhibiting societies all seem to be feeling the pinch in terms of space. In Edinburgh, the RSA, SSA and RSW have had to adapt their annual exhibition schedule around sharing the same slot at the Mound building. And the Royal Glasgow Institute is squeezed into the Mitchell Library while the McLellan Galleries remain closed. The society is campaigning to reopen the A listed, purpose built gallery on Sauchiehall Street, once a staple of the Glasgow art landscape, in time for next year's show. It's ironic that Glasgow, which has firmly established itself as the UK's second city of contemporary art three Turner Prize winners in a row, with Luke Fowler on the shortlist this year hoping to make it four does not seem to provide the same degree of ready support to its exhibiting societies as it does for the contemporary cohort.
However, many of the Young British Artists Damien Hirst's cohort are fast approaching that age, with Glasgow's Scotia Nostra not Women Nike Air Max 2017
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